From the composer: "An Olcott Overture! is dedicated to my friend and publisher of several of my trumpet ensemble works, James Olcott. Stylistically and harmonically, the piece shows my Eastern European heritage, with rhythms that are in mixed meters and a texture which is gutsy and rustic. The bright, brilliant sound of the trumpet is yet another inspiration to me, with the sound of resonant fanfares and rich chords creating a heroic and celebratory sound." Setup on stage from left to right: 3-2-1-4-5-6. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

For two pairs of three trumpets, antiphonally set. Lots of rhythmic and melodic interplay. Very effective opener.

An up-tempo, straight eighth based Latin tune much in the style of ChickCorea’s “Spain”. Its success relies on contrapuntal melodies, angular rhythms, some dissonant /piercing harmonic clusters, and a wide dynamic range. Really fun to play. –– This piece is also available with big band accompaniment (click here)

An up-tempo, straight eighth based Latin tune much in the style of ChickCorea’s “Spain” with big band accompaniment (parts for five saxophones, four in-section trumpets, four trombones, and rhythm section). Its success relies on contrapuntal melodies, angular rhythms, some dissonant /piercing harmonic clusters, and a wide dynamic range. Really fun to play. –– This piece is also available with rhythm section accompaniment (click here)

Joy to the World, O Little Town of Bethlehem, Deck the Hall with Boughs of Holly, Angels We Have Heard on High, Silent Night, The First Noel, and O Tannebaum. Arrangements written in the most common keys for singing and are intended as accompaniments in sing-alongs and congregational use. The first five trumpet parts are essential to the arrangements. The sixth part contains the melodies when they aren't found in the other parts and can be played or taceted according to the wishes of the conductor. A very popular and widely used compilation.

The second prize winner of the 2004 ITG Composition Contest (solo trumpet w/trumpet ensemble accompaniment) and premiered at the 2004 ITG Conference in Denver, this three-movement work is written for trumpet solo and trumpet ensemble accompaniment. All six parts are for C trumpets (which means that they could all be played on B-flats). All parts have lots of action and independence. Very idiomatic for trumpets but with fresh approaches to interplay, color, and accompaniment. Fanfares, warm melodies, playful rhythms. Movements' names: Crossing the Cuyahoga, The Skyline at Night, and The Emerald Necklace. From the composer: About Cleveland Sketches: The first movement, Crossing the Cuyahoga, is a heroic fanfare depicting the almost overwhelming scene of towering buildings as one crosses the river into Cleveland, Ohio. The serenity of the evening lights of the city as viewed from far away are the inspiration for The Skyline at Night, depicted by a lyrical song on flugelhorn accompanied by sustained notes in the cup-muted trumpet parts. The last movement, The Emerald Necklace, is a depiction of playful activity in the metroparks which surround the entire Cleveland area. - Clint Needham

A very well-written and clever work with excellent moods, extending from introspective to very playful. Lots of intricate interplay. Fun to put together and perform. Requires good control, and well worth the time to put it together. Performed here by the Luther College Trumpet Choir, directed by John Cord. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

One of Triplo Press's most popular pieces, with over 850 copies sold since its publication in 2000. A very strong and colorful work with the harmonic, melodic, and dynamic color for which Eric Ewazen is so well known; uses interplay between the various players and pairings to excellent effect. Contrasts between fanfaresque and legato playing and loud and soft abound throughout. The tessitura of the first trumpet is at the top of the staff, with high C being the top note. Fun to rehearse because of the smart writing, and the product is very satisfying for both player and audience. An excellent contribution to the genre.

A shortened and simplified version for four trumpets of this piece (grade 2 - great for junior high level) is available. Click here for more information.

Arranged for 2 piccolo trumpets in A, 1 E-flat trumpet and 3 B-flat trumpets, this lush arrangement is very lyrical and warm, highlighting control, balance, and beauty of phrase. Sounds wonderful in this rather unusual key.

A great teaching tool for the younger set. Destiny's Call is an excellent and musically satisfying piece that approaches pitch, unison and independent rhythms and melodic lines, articulation, dynamics and style.

With piano, bass, guitar, drums. Shuffle/funk with lots of jazz trumpet section work as well as interaction betwen the parts. Solo space. A great deal of fun to play and an excellent change-of-pace for any concert.

A one-minute great "interlude" piece to lighten up any concert. No solo space - just two choruses, in and out. The bass part is optional as is the four-measure introduction (both added by James Olcott), but both little additions add to the fun of the piece.

Actually two fanfares, one in 6/8, the other in 2/4. Typical Uber stuff, namely lots of interplay, dynamic variation, and harmonic interest. Does the job as fanfares while still being musically interesting.

A through-written 20th century fanfare, highly idiomatic and dramatic. Commissioned by the Columbus (Ohio) Trumpet Consort. From the composer: "The title represents a combination of three words: fanfare, representing the purpose of the work; atmospheric, representing the feel of the piece; and sphere, representing the optional spatial placement of the performers around the perimeter of the performing space. This aggressively rhythmic miniature includes bitonal triadic clusters (scored for two opposing trios) and octatonic passages " NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A striking and innovative work with rhythmic, harmonic and melodic excitement. Beautifully written and great fun for the players and audience alike. Three of the parts double on flugelhorns. The recording says it all.

Medium swing tempo. Great lines for trumpets and vocal-like harmonic and voicing treatment (which isn't a surprise, as the arrangement is based on a great vocal treatment of the tune by Kerry Marsh). One special thing about this particular arrangement is that the bass has the solo space. Really fun to listen to, and just as much fun to play.

"To the memory of Adolph "Bud" Herseth and Gustav Mahler." An excellent work with lots of rhythmic and melodic interplay. Performed here by the Luther College Trumpet Choir, directed by John Cord. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A part of the Cincinnati Herald Trumpet Ensemble Series, therefore straightforward, and requires a minimum of rehearsal time. Well-paced, majestic and colorful. Great for teaching style

Lots of clever interaction mark this intricate, idiomatic work. The recording, done here by Dr. Eric Swisher and the Murray State University Trumpet Ensemble for whom the piece was written, says it all.

A beautiful rendition of this classic. A difficulty mark of "3' because of the phrasing. Great for a meditative, change of pace situation in concert or church settings

Fanfarish, festive, fresh. and full of color. Very effective as an opener.

Called a fanfare but rather a major work. Starts quietly and goes into an aggressive 7/8. Very colorful harmonies and interplays. Challenging and fun to work on. The recording is by the Central Washington Trumpet Club.

A fanfaresque piece with a good rousing style. Excellent for teaching rhythm, ensemble interplay and ear training. A very satisfying work. Fun to play and rehearse.

Nine 90-second fanfares for B-flat trumpets in two volumes by Robert Bradshaw, Barry Ford, Michael Galib, Jack Kimmell, Eric Morales, Clint Needham, Greg Pascuzzi, David Shaffer, and James Stephenson. All excellent, exciting, unique and very accessible as per the graded difficulty. Commissioned, collected, and edited by Triplo Press's James Olcott in celebration of the trumpet, the ITG, and the 2012 meeting of the Guild's Ohio Affiliate Chapter, where they received their premieres.

To buy volumes separately: Volume 1 Volume 2

Contains the first five of nine 90-second fanfares for B-flat trumpets by Robert Bradshaw, Barry Ford, Michael Galib, Jack Kimmell, Eric Morales, Clint Needham, Greg Pascuzzi, David Shaffer, and James Stephenson. All excellent, exciting, unique and very accessible as per the graded difficulty. Commissioned, collected, and edited by Triplo Press's James Olcott in celebration of the trumpet, the ITG, and the 2013 meeting of the Ohio Chapter of ITG, where they received their premieres. Click here for Vol. 2

The recordings on this page, recorded by James Olcott, represent the five pieces in this volume (l to r): Triptych Cipher by Robert Bradshaw, Slancio! by Barry Ford, Fa una fanfara by Michael Galib, Flourish for Six Trumpets by Jack N. Kimmel, and Panoramica by Erik Morales.

Click here for Volume 2 to buy the complete two-volume set and save 10%.

Contains the final four of nine 90-second fanfares for B-flat trumpets by Robert Bradshaw, Barry Ford, Michael Galib, Jack Kimmell, Eric Morales, Clint Needham, Greg Pascuzzi, David Shaffer, and James Stephenson. All excellent, exciting, unique and very accessible as per the graded difficulty. Commissioned, collected, and edited by Triplo Press's James Olcott in celebration of the trumpet, the ITG, and the 2012 meeting of the Ohio Chapter of ITG, where they received their premieres.

The recordings on this page, recorded by James Olcott, represent the four pieces in this volume (l to r): Fanfare, by Clinton Needham, Fanfare Ighisu Verchi, by Gregory Pascuzzi, Cincinnatus Fanfare by David Shaffer, and Gilded Fanfare by James Stephenson.

Seven short excellently transcribed dancelike intradas in the late Renaissance dance style for six B-flat trumpets. Works beautifully as a set and really fun to play. Also works antiphonally by splitting phrases between two groups of six players ala the recording.The work is published in the antiphonal version as TRP-195. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

From the Triplo Press Jazz Series. A beautiful solo feature for flugelhorn. Gentle latin. All rhythm section parts are written out. What makes this composition quite special is the written use of a string pad part for synthesizer or similar electronic keyboards. This is a gorgeous addition to the repertoire. –– This piece is also available with standard big band as accompaniment (click here)

From the Triplo Press Jazz Series. TRP-199 with accompaniment by a standard jazz band (5 saxes, 4 tips, 4 trombones, and rhythm section). A beautiful solo feature for flugelhorn. Gentle latin. All rhythm section parts are written out. This is a gorgeous addition to the repertoire. –– This piece is also available with rhythm section alone as accompaniment (click here)

A great adaptation of this jazz standard. Solo space if the jazzer wants it, or Armstrong's solo, written out, can be played. Fun to play, excellent for learning style and great for the audience. The recording is by Jan Glaesel and is gorgeously interpreted.

Written for two piccolo trumpets in B-flat, E-flat trumpet, 2 C trumpets, and one B-flat trumpet. A very dramatic, lush and warm rendition of this beautiful standard. Great for control, intonation, and phrasing.

Approximately 20 seconds each. Excellent fanfares used extensively by the Cincinnati Herald Trumpet Ensemble. Heralding announcements, arrivals, etc. Majestic.

Taken from Dauvernè's method for the natural trumpet, these pieces, transposed for B-flat trumpets, are excellent for elegant precision and style in the natural trumpet manner. Historically and musically fascinating.

Part of the Cincinnati Herald Trumpet Series. In D concert, so this arrangement is a little tougher than some others in the series, but it is simple to put together and very effective. The melody moves from voice to voice so that no one takes the brunt of the relatively high tessitura. Excellent for teaching the piece.and the appropriate style.

Sussex Carol and Wexler Carol are the two Christmas classics that Mr. Harbinson incorporates into this beautiful arrangement. One piccolo trumpet and five Bb's are used for the joyous Sussex Carol, and the five lower voices switch over to flugelhorns for a very warm rendition of the Wexler that utilizes beautiful counter-melodies. Optional percussion includes finger cymbals, triangle, high tomtom, and crash cymbals. (The first recording is without percussion; the second with). A very effective and enjoyable arrangement.

One of the most often played fanfares by the Cincinnati Herald Trumpet Ensemble. Majestic, full, broad, strong, and effective, but not difficult to rehearse or perform. One of the pieces reviewed in the ITG Journal as part of the CHTE Collection.

The famous march